THE POETRY OF ACTING PART 4: EMBODIED VOICE

An interdisciplinary laboratory on the voice for professional artists in the performing arts.
In our laboratory, we will work practically with the speaking and singing voice in relation to breathing, movement and space applied on texts and poems by Robert Desnos.

The workshop is led by LumparLab Theatre Association in collaboration with Associazione Vera Stasi. The teachers are Grete Sneltvedt (AX) and Silvana Barbarini (IT).

LABORATORY RESEARCH
The Embodied Voice is the fourth part of a series of six laboratories on the theme THE POETRY OF ACTING. You are welcome to take part in individual laboratories.

In the research of interplay between voice and body we investigate different steps from the reading to the staging, starting from actors’ training through voice and movement:

– breathing as a basis on which to expand voice and body possibilities
– training techniques that through vocal and physical awareness affect the practical work on stage
– explore the vocal possibilities of the text and take creative risks in a supportive environment
– explore the movement of energy from the head to the body, with a high-level technique and discover a connection to the emotional centre
– investigate all the further steps (individual gestures, space interactions, group landscapes) starting from deep physical awareness research on the interplay between voice and body

The laboratory provides an opportunity to connect with other stage artists and to create networks.

Why work on the voice in relation to movement, time and space?
The human being is always present in the art of acting, physically and concretely, with a resonating, vibrating voice in a living body. The art of acting deals with what it means to exist.

The work of an actor deals with all aspects of human existence: loneliness and togetherness in sorrow, joy, hatred, love, memory and presence. Our own existence becomes the material, the starting point for our search to understand and relate to others and in finding ways of expressing this.

Human life revolves around the voice, around our desire and need to speak and communicate. A grounded voice awakens the body as it arises from breathing, muscular activity, attentive listening and from the body’s conscious attempt to respond to what we experience, in ourselves and in our surroundings.

We strive to ground the body-voice so that the spoken words can be made from flesh and blood. In acting, we speak about “giving voice to” and “making oneself heard” and this will be of key importance during the workshop. Equally important will be awareness of sound, of listening to and hearing ourselves and others.

To access one’s own voice potential, one needs technical training and methods to acquire useful tools to open the voice through freedom, control and responsiveness. Our goal is to connect the voice, text, body, movement and space in a common texture and to strengthen the cooperation between different professions in stage art.

SESSIONS
We work mornings and afternoons. During the morning sessions, we will concentrate on training and technical work on voice and movement. The preparatory work will then be applied to texts that will be transformed to monologues/scenes in the afternoon and evening.

We work in groups, pairs and individually with one or two teachers present. An opportunity will be given to each individual to apply the training and technical work from the morning session on their own work.

The two teachers have personal experience in what they teach, and they work together and individually from different point of views and disciplines, with a common goal of developing the poetry of acting:

Grete (performing arts pedagogue) will base her work on the training and experiences she has received in her work with Nadine George and her technique. The voice is the technical tool that creates the connection between sound, feeling and words, says Nadine George, and her technique enables the actor to get in touch with this connection.

The training is built up in steps going from partner and group work with breathing exercises, moving on to the voice and exploring different sound qualities – male and female – followed by individual work.

This leads directly into work on texts by Desnos where we apply “Full voice”. This method offers space in the body for vibrations for the actor to speak with full power engaging the whole body. Prime aspects of the training focus on breathing, gravity, relaxation and direction. The sounds made are coloured by inner body experiences connected with technical tools.

Silvana (dancer/choreographer) will work with a physical warming up, based on connections between body and mind. Working with developmental patterns and exploring different body systems (the muscles, the skeleton, the fluids) allows us to reach a state of centring and a sense of ease within ourselves and with others. The grounding and the freedom gained through the training gives richness and flow to movement and actor’s energy.

The body awareness created during the process offers a good basis for working on voice-movement.

Afternoon improvisations will delve more deeply into the possibility to approach different characters changing the focus in our body-mind rich universe and will explore relations between words and actions in the space.

Valeria Tumasolo will document the work on photo and video. This will be used to further development and reference.

PRACTICAL INFORMATION
One month before the workshop you will receive information about the texts you will be working on. You will need to learn these texts/poems by heart before you arrive.

The working language will be English and you may choose if you want to act in English or in your mother tongue (taken into consideration that the poems are translated into your language).

Binding registration:
1 May 2018

Fee:
The price for the workshop is 310 €

Living:
Lodging 15 € per night in double room, a total of 105 € for 7 nights

Transport:
30 € from and to the Rome airport Fiumicino (cost shared among passengers on each journey)

For further information and registration, contact

Grete Sneltvedt on email: lumparlab@aland.net or mobile +358 (0) 457 342 7188

Silvana Barbarini email barbarini.verastasi@gmail.com or mobile +39 348 4798951

For questions regarding the accommodation, arrivals and departures, please contact Silvana Barbarini: barbarini.verastasi@gmail.com

Poetry of Acting IV 2018

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SÖMNENS RYMD

LumparLab Teaterförening presenterar

SÖMNENS RYMD
Dikter av Robert Desnos Tonsatta av Kjell Frisk

MEDVERKANDE:
Catherine Frisk Grönberg (röst)
Grete Sneltvedt (röst)
Kjell Frisk (klarinett)
Christoffer Isaksson (gitarr)
Rörelse/koreografi: Silvana Barbarini
Ljus: Marco Guidi



Läs mera:
Program Somnens rymd
Sleep Spaces_Aland_2

Innanför och utanför ramarna, utställning av EvaMaria Mansnerus, 15 juni – Föglö

Sommarutställning på Föglö bibliotek 2012

EvaMaria Mansnerus

visar

Innanför och utanför ramarna
den gruvliga berättelsen om Kung Lear

Alla hjärtligt välkomna på vernissage
till  Föglö bibliotek

fredag 15 juni kl 18

Utställningen bygger på de teaterlaboratorier kring Shakespeares pjäs Kung Lear som arrangerats av Lumparlab Teaterförening på Brandkårshuset. På vernissagen kommer EvaMaria att presentera sitt arbete och dialoger ur pjäsen kommer att framföras av Grete Sneltvedt och Linnea Sundblom.

Från kl.19 fortsätter vi på
Degerby Mat & Café

där det kvällen till ära erbjuds en
Shakespearemeny
bestående av
revbensspjäll med rotsaker och öl
samt annat smått och gott

Vi ser gärna att vi gör kvällen till ett berättarkafé där du är välkommen att dela med dig av dina berättelser ur liv och historia.
Välkommen!

Artikkel om utställningen i Ålanstidningen: www.alandstidningen.ax/article.con